The Shade collection is inspired by magical moments in nature where colors melt and speak for themselves. Designer Begüm Cana Özgür emphasizes: “this is a handmade flat-weave rug that generates an incredible and well-rounded diffusion of color. The surface releases a sense of tranquillity and well-being that is balanced by the penetrating vibration of colors.”
This collection of exquisite simplicity reflects a complex technical process to achieve the density, regularity, and fluidity of the desired effect. Two gradients converge in each rug, one vertical and one horizontal, in the same plane, harmonically using six transitional shades.
Shade is available in four ombré palettes: from turquoise to eggplant, russet to Klein blue, raspberry to forest green and grey to brownish garnet.
100% New Zealand wool
Manual weaving produced on a vertical loom in which the strands are tightly fastened to the warp by knots.
The shape and thickness of the knot differentiate the variety of hand-knotted rugs and the finish will result in a 'Cut Pile', 'Loop Pile' or a braid-style in the case of Sumak rugs.
The number of knots will directly affect the density, definition of the pattern, durability and value of the rug.
This is a hand-knotting technique, in which half the knot is wound around the warp, while the other half is left loose. The result is an asymmetric knot that can lead to high densities and truly detailed motifs.
This is also a hand-knotting technique, but unlike the Persian knot, consisting in tightly symmetrical knots that achieve consistent pile and is used for thick rugs.
Indo Nepal knot
To create this type of knot, the craftsman winds the fiber around a rod, working more quickly. The fiber is subsequently cut and the cut pile or loop pile is obtained.
A technique in which the strands are fastened to the warp, which makes the rug seem to be constructed of braids. In this manner, a flat structure with surface relief is obtained.